Valuable conclusions can be reached on the aesthetic and moral perceptions of Dimitri Mitropoulos from the study of his commercial and private recordings and his concert programs.
Mitropoulos was a unique interpreter who combined respect for significant works of historical Western music with the fight to project characteristic examples of the musical language of the 20th century. Far from the dictates of popular and easy recognitions, he gave us his own, often idiosyncratic, point of view of a morally honest and aesthetically valuable interpretation.
This according to “Ο Δ. Μητρόπουλος και το ήθος της ερμηνείας” [Dimitri Mitropoulos and the ethos of performance] by Stathīs A. Arfanīs and Giōrgos Maniatīs, an essay included in Δημήτρης Μητρόπουλος (1896-1960): πενήντα χρόνια μετά [Dimitris Mitropoulos (1896–1960): Fifty years later] (Athīna: Orpheus Edition, 2012).
Today is Mitropoulos’s 120th birthday! Below, rehearsing and performing with the New York Philharmonic.