Tag Archives: Birds

Afghan perceptions of birdsong

afghan dove

The importance of birds and bird song in Afghan culture is embedded in Afghanistan’s two official languages—Dari and Pashto—in which the nightingale, a central poetic symbol, occurs in texts sung by urban and rural singers.

The songs of particular birds are associated with calls to prayer, and mullahs confirm that birdsong is regarded within Sufism as a form of religious singing; birds are welcomed at Sufi shrines, where feeding them is considered an act of piety.

Sometimes caged birds are brought to musical performances in Herāt, and when they are stirred to sing by hearing music their sounds are heard as an integral and treasured part of the performance.

This according to “Afghan perceptions of birdsong” by John Baily (The world of music XXXIX/2 [1997] pp. 51–59).

Above, an Afghan dove with a friend; below, a nightingale competition in Afghanistan.

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Canary pedagogy

serinette

The serinette (after the French serin, canary) is a very small barrel organ that was used to teach repertoire to pet songbirds in the 18th century. These instruments were made in England, France, and Germany.

In 2007 an independent organ and barrel organ builder affiliated with the mechanical instruments center of Waldkirch in Baden-Württemberg embarked upon a series of modern reconstructions of the serinette. His main sources were the description of the serinette found in Dom Bédos de Celles’s L’art du facteur d’orgues (Paris, 1778) and two instruments from Mirecourt.

This according to “Serinetten französischer Bauart aus Waldkirch” by Achim Schneider (Das mechanische Musikinstrument: Journal der Gesellschaft für selbstspielende Musikinstrumente XXXVI/107 [April 2010] pp. 6–9; the author is the organ builder in question.

Above, La serinette by Jean-Baptiste-Siméon Chardin; below, a working serinette.

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