Ever since the publication of his African Music in Ghana (Evanston: Northwestern University Press, 1963), Joseph Hanson Kwabena Nketia (b.1921) has been reknowned among ethnomusicologists. His distinguished career has included many fine publications on music in Africa and its diaspora. The first volume of his collected papers, Ethnomusicology and African music: Modes of inquiry and interpretation, was issued by Afram Publications in 2005.
Nketia’s extensive background in musicology gave him the tools to revolutionize the analysis of African drumming, and since the 1980s he has produced landmark articles on more general aspects of ethnomusicological theory. He is also a composer—he studied with Henry Cowell in the late 1950s—who has written works for both Western and African instruments.
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Below, a performance of Nketia’s Monna n’ase (1942).
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