An 18th-century Hamlet parody

Der travestirte Hamlet: Eine Burleske in deutschen Knittelversen mit Arien und Chören (1794) was one of several parodies that capitalized on the Hamlet fever that swept the German-speaking lands in the late eighteenth and early nineteenth centuries.

Karl Ludwig Giesecke wrote the play; the composer was not indicated, but there are grounds for believing that it was Vincenc Tuček (1773–1821).

The numbers include a song in which Polonius  coaches Ophelia on how to seduce Hamlet, a song in which Hamlet insists that he is not afraid of ghosts, and a duet for Hamlet and Ophelia at the end of the “get thee to a nunnery” scene. No one is killed in the play: Polonius avoids Hamlet’s rapier, Ophelia recovers her sanity, the poisoning is averted, and ultimately everyone goes out to drink wine together. The show ends with a choral finale and a contradance.

This according to “Some Viennese Hamlet parodies and a hitherto unknown musical score for one of them” by Peter Branscombe in Festschrift Otto Erich Deutsch zum 80. Geburtstag (Kassel : Bärenreiter, 1963), which is covered in RILM’s Liber Amicorum: Festschriften for music scholars and nonmusicians, 1840–1966.

Above, Edwin Booth as the Melancholy Dane, ca. 1870.

Related article: Comedy versus opera

Leave a comment

Filed under Classic era, Curiosities, Dramatic arts, Humor, Literature

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s