Tag Archives: opera singer

Anna Moffo, the versatile soprano

Born in Wayne, Pennsylvania to an Italian American couple in 1932, the opera singer Anna Moffo began her formal music studies at the Curtis Institute in Philadelphia in 1951. Initially intending to pursue a piano course, she found that the available spots were filled, so she auditioned for the vocal program and was accepted. At the Curtis Institute, Moffo also studied piano, viola, and composition, under the guidance of soprano Euphemia Giannini Gregory and pianist Martha Halbwachs Massena. In 1953, Moffo made her debut with a solo recital at the Tri-County Concerts Association. During her time at Curtis, under Gregory’s dynamic teaching, she quickly engaged with the core works of the classical repertoire.

In 1954, she won the Philadelphia Orchestra Young Artists Auditions and moved to Rome to train as a singer as a Fulbright fellow. Moffo made her debut at the Teatro Lirico in Spoleto a year later. After an audition, she won the role of Cio-Cio San in a television production of Madama Butterfly (1956), directed by Mario Lanfranchi. The broadcast, which aired on Italian national television in January 1956, marked her breakthrough in Italy and began her long career as a television opera star during the black-and-white era. Although Moffo primarily accepted lyric soprano roles early in her career, she also developed a vocal technique that enabled her to take on the more agile lyric soprano repertoire.

Moffo in La traviata.

She made her debut at the old Metropolitan Opera in New York on 14 November 1959, performing the role that would become her signature, Violetta in La traviata. Between 1955 and 1975, Moffo’s career took her to the world’s most prestigious theaters, including the inaugural series of performances at the new Metropolitan Opera in New York. During this period, she consistently demonstrated remarkable vocal stamina, appearing in over 200 performances at the Metropolitan Opera alone.

Moffo’s physical beauty, captivating presence, and exceptional stage and acting skills not only secured her continuous engagements in prestigious theaters but also led to successful ventures in film, where she performed admirably. Her participation in various productions showcased her innate acting talent. Moffo’s artistic versatility is evident in her diverse roles as a soprano, solo pianist, musicologist, presenter, narrator, composer, and even as a pop music singer. This breadth of talent was documented in various Italian television variety shows.

This according to the entry on Anna Moffo in DEUMM Online.

Below is a performance by Anna Moffo on Italian television.

Read a related post in Bibliolore:

https://bibliolore.org/2013/06/28/mise-en-scene/

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Filed under Opera, Performers, Voice

Grace Bumbry at Bayreuth Festspielhaus

Grace Bumbry’s appearance as the first African American singer in the role of Venus in Wagner’s Tannhäuser from 1961 through 1963 sparked fierce reactions. By the age of 23, Bumbry had created such a stir in the opera world that she was invited to audition in Bayreuth for Wieland Wagner, the grandson of the composer Richard Wagner, where he would be producing a new production of Tannhaeuser. When the press discovered that the new Venus was a Black singer, protests began to appear publicly in various publications. Wieland Wagner stated that his grandfather would want the best voice for the part and remained steadfast in his decision to cast Bumbry. Her racial background did not dissuade him, and neither did the negative press. Bumbry courageously performed the role and changed the history of opera by becoming the first person of color ever to be cast in a major role at the prestigious Bayreuth Festspielhaus. The next day, the critics called her “Die Schwarze Venus” (The Black Venus), and a new star was propelled into international stardom.

In those performances, Bumbry paved the way for opera singers of color. She grew up in modest surroundings in St. Louis, Missouri and as a young girl became interested in music after attending concerts given by Marian Anderson. Bumbry’s life was forever altered by the concerts, and she soon absorbed every recording of classical music she could find. At age 16, she won first prize in a local radio contest which provided her the opportunity to appear on The Arthur Godfrey Talent Scout Show, a popular U.S. radio and television variety show, where she sang “O Don Fatale” from Verdi’s Don Carlo.

Bumbry later studied at Boston University after encountering racist policies at the St. Louis Conservatory. She continued her studies with Lotte Lehmann in Santa Barbara, California in 1955 and finally with Pierre Bernac in Paris, where she made her debut at the age of 23 as Amneris in Verdi’s Aida at the Théâtre National in 1960. She made her debuts at the Royal Opera House, Covent Garden London, as Princess Eboli in Don Carlos in 1963, at the Metropolitan Opera in New York in 1965, and at La Scala in Milan in 1966. Around 1970 she shifted her full, energetic mezzo-soprano voice to soprano and went on to sing Santuzza in Mascagni’s Cavalleria rusticana and Salome in Richard Strauss’s eponymous opera. From the late 1980s onward, she returned to her lower voice and took on character roles such as Baba the Turk in Stravinsky’s The Rake’s Progress at the Salzburg Festival in 1994.

Bumbry passed away on 7 May 2023 at the age of 86 in Vienna.

Read the full obituary on Grace Bumbry in MGG Online. A previous posting on Bumbry in Bibliolore can be found here: https://bibliolore.org/2017/01/04/grace-bumbry-black-venus/

Below is a video of her performing Vissi d’arte, a soprano aria from the opera Tosca by Giacomo Puccini.

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Filed under Black studies, Europe, Opera, Women's studies