Benny Goodman goes classical

 

Benny Goodman was only 28 years old when he reached the pinnacle of his career, bringing his big band to Carnegie Hall in January 1938.

Joseph Szigeti, who took an interest in jazz and admired Goodman’s playing for its expressiveness and technical proficiency, was present at that tremendously successful historic concert. That same year, he suggested the idea to Goodman to underwrite a commission for a short concert piece by Bela Bartók for clarinet, violin, and piano, with virtuoso candenzas in the vein of the violin rhapsodies.

Bartók completed the piece in September 1938, and Goodman returned to Carnegie Hall a year after his famous jazz concert with the premiere of two movements of Bartók’s work. The reviews of the sound recording of Contrasts, made during the composer’s visit to the United States in the spring of 1940, were unequivocal in their praise of Goodman’s performance.

This according to “Bartók: Kontrasztok, Benny Goodman és a szabad előadásmód” by Vera Lampert (Magyar zene: Zenetudományi folyóirat LIII/1 [február 2015] pp. 48–65).

Today would have been Goodman’s 110th birthday! Above and below, the 1940 session.

1 Comment

Filed under 20th- and 21st-century music, Performers

One Response to Benny Goodman goes classical

  1. Murray Citron

    I have the reissue of the recording, on a CD entitled “Benny Goodman Collectors’ Edition…Compositions & Collaborations”; also included are Bernsteins’ Prelude, Fugue and Riffs, Coplands’ Clarinet Concerto, Stravinskys’ Ebony Concerto, and the Derivations for Clarinet and Band by Morton Gould (CBS Records Masterworks MK 42227) Worth pursuing!