This new experimental dance involves different musics (from goth rock to world music), altered costuming, and new performance settings. Although rooted in belly dance and its ties to colonialism, Goth belly dance transforms Orientalism and embodies decolonization as process and product.
This according to “Raqs gothique: Decolonizing belly dance” by Tina Frühauf (TDR: The drama review LIII/3 [fall 2009] pp. 117-138). Above, Maiiah with her snake, Maharet (photo by Pryor Dodge; click to enlarge); below, the late JeniViva Mia performs.
Related article: Subversive belly dancing