In 2011 Schott launched the series Stuttgarter Musikwissenschaftliche Schriften with Was bleibt? 100 Jahre Neue Musik, edited by Andreas Meyer.
Noting that the musical revolutions of Debussy, Stravinsky, and Schoenberg are over a century old, and that the experimentalism of the 1950s belongs to a bygone era, the authors assess the current new music scene and demonstrate how audiences have changed in recent years.
Below, Stockhausen’s pioneering Gesang der Jünglinge (1955–56).
