RILM’s global network of committees and partnerships

The poster above was once displayed in RILM’s Berlin office of the German national committee, where it explained RILM’s mission as an international musicological bibliography. It highlighted early foundational partners, such as the International Musicological Society, the International Association of Music Libraries, and the American Council of Learned Societies. More importantly, the poster encouraged authors to submit abstracts for their publications. A prominent line on the poster sternly cautioned, “Authors who do not provide their own abstracts accept the risk of having no influence on the formal and substantive design of their abstracts.”

Beyond its nostalgic value as a piece of RILM’s history, the poster also underscores the global network of national, supranational, and regional committees that play a key role in ensuring that significant music-related writings from their respective regions are included in RILM Abstracts of Music Literature and RILM Abstracts of Music Literature with Full Text. These committees, made up of musicologists and librarians from major universities, national libraries, and research institutes, are responsible for gathering and processing abstracts. Given that the core principle of the RILM project was to encourage authors, journal editors, and publishers worldwide to submit abstracts, it was essential to have committees in major music literature-producing countries to collect and send these abstracts to the international center for inclusion.

Archives and Research Center for Ethnomusicology (ARCE), New Delhi. Image courtesy of AIIS Archives and Research Center for Ethnomusicology Facebook page.

Institut du Monde Arabe, Paris. Image credit: Thierry Rambaud

Today, RILM has committees in countries across the globe, including Japan, Latvia, France, Guatemala, New Zealand, Türkiye, South Africa, and Taiwan, along with regional committees in Hong Kong and supranational committees, such as the one in Africa. In addition, RILM maintains partnerships with a variety of institutions, including the Archives and Research Center for Ethnomusicology (ARCE) in New Delhi, the Institut du Monde Arabe in Paris, the National College of Arts in Lahore, and The Journal of the Central Conservatory in Beijing. This extensive network of committees and partnerships plays a crucial role in supporting RILM’s mission to document all forms of music-related publications, from anywhere in the world and in any language.

Central Conservatory of Music, Beijing.

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