Iberian early music studies

 

Iberian Early Music Studies

In 2015 Reichenberger launched the series Iberian early music studies with New perspectives on early music in Spain, edited by Tess Knighton and Emilio Ros-Fábregas.

The volume brings together research by scholars—both well established and of younger generations, both Spanish and from all over the world—that offers new perspectives on many aspects of early musical culture on the Peninsula, whether regarding the Ars Nova or the Counter-Reformation, music historiography or analysis, early improvisation techniques or imitatio in Renaissance polyphony, or questions of performance practice or ambassadorial musical networks, making an important contribution to establishing and sustaining a valuable discourse with the broader European context.

Below, a selection from the Cantigas de Santa Maria, the subject of one of the articles in the inaugural issue.

 

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Filed under Middle Ages, New series, Renaissance

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