Scarlatti’s creative process

scarlatti

Four analyses of Domenico Scarlatti’s keyboard sonata K.296 demonstrate the possibilities and problems with analyzing this unusual and fascinating technique of composition—devising sequences of keyboard events while at the instrument, a forerunner of present-day procedures.

This approach diminishes the value of all conventional approaches to Scarlatti’s keyboard works, both of his time and ours, putting them in a new light.

This according to “F.244: 4 Annäherungen an eine Sonate” by Peter Böttinger, an essay included in Musik-Konzepte 48-49: Morton Feldman (Musik-Konzepte 47 [1986] pp. 57–121).

Today is Scarlatti’s 330th birthday! Below, the sonata in question.

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Filed under Baroque era

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