The 1981 premiere of Peter Brook’s and Jean-Claude Carrière’s La tragédie de Carmen at the Opéra in Paris sparked considerable controversy over its focus on the bleaker, darker aspects of the story.
In their revision of Bizet’s Carmen, Brook and Carrière attempted to be truer to Prosper Mérimée’s 1845 novella, emphasizing the basic components of its tragedy: sorcery, sexuality, obsessive love, and death. They removed the comic elements from Bizet’s work, reasoning that the composer had been constrained by a theatrical medium that demanded the inclusion of comedy.
This according to The tragedy of Carmen: Georges Bizet and Peter Brook by William Manning D. Mouat, a dissertation accpted by the University of Washington, Seattle, in 1996.
Above and below, Zehava Gal in the title role.