The opera-ballet Mlada was commissioned in 1872 by Stepan Gedeonov, director of the imperial theatres in St. Petersburg, Russia. Collaboratively taken on by five composers— Cezar’ Kûi, Modest Musorgskij, Nikolaj Rimskij-Korsakov, Aleksandr Borodin, and Ludwig Minkus—it was left unfinished. Some of the music was never written or has been lost, while most of what remains exists only in short score.
For the first time, the surviving original scenes and numbers of Mlada are now published in their entirety (Middleton: A-R Editions, 2016), including reconstructions of two incompletely transmitted numbers that render acts and I and IV complete. This edition turns Mlada—this “phantom of an opera”—into something palpable that will change our understanding of the music derived from it, such as the bulk of Borodin’s Knâz’ Igor’ and some of the scenes from Musorgskij’s Soročinskaâ ârmarka and Rimskij-Korsakov’s Majskaâ noč’.
Below, the prologue to Borodin’s Knâz’ Igor’, which recycles materials that he originally wrote for Mlada.