In 2013 the Centro Argentino de Información Científica y Tecnológica (CAICYT) launched El oído pensante, an open-access, peer-reviewed online journal that aims to promote the discussion of theoretical, methodological, and epistemological dilemmas faced by various kinds of music research.
Unpublished articles in Spanish, Portuguese, and English dealing with ethnomusicology, anthropology, sociology of music, popular music studies, musicology, and cultural studies, among other disciplines, are received. Particularly welcome are writings that address theoretical paradigms, methodology, transdisciplinarity, knowledge validation, research ideologies, representation resources, narrative strategies, ethic and esthetic research perspectives, relationships during the fieldwork experience, social and political research significance, the researcher’s perceptive and conceptual baggage, new technologies, and their ways of spreading and sharing knowledge.
Since the intention of the journal is to promote critical thought aimed to dismantle usual concepts and to open new approaches, papers restricted to analyzing particular cases will not be accepted. However, it is expected that authors bring some cases into the text in order to support their main ideas. All articles are abstracted in Spanish, Portuguese, and English.
Below, Um a zero by Pixinguinha and Benedito Lacerda, a work discussed in the inaugural issue.
In 2013 the Escola de Música e Belas Artes do Paraná at the Universidade Estadual do Paraná launched Revista Vórtex, an open-access online publication.
The journal encourages the submission of works from research areas including composition, computer music, musicology, theory, music education, and ethnomusicology. Vórtex accepts the submission of articles, translations, interviews, and scores in Portuguese, English, or Spanish. Concert, festival, CD, DVD, and book reviews are also accepted.
Founded in 2013, Scottish journal of performance is an open-access peer-reviewed journal that aims to promote and stimulate discussion, development, and dissemination of original research, focusing both on performance in Scotland (contemporary and historical) and on wider aspects of performance presented by scholars and reflective practitioners based at Scottish academic institutions. Published biannually and run by doctoral students, the journal welcomes submissions from both established and early career researchers.
All content is freely available without charge to users or institutions. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of open access.
Performance in this context encompasses a wide range of arts and entertainment and takes as central themes dance, drama, film, music, and television. The journal takes as a key focus the creation and execution of performance in various contexts, encouraging the adoption of a wide range of research methods and approaches.
In 2013 a new scholarly journal, Құрманғазы Атындағы Қазақ Ұлттық Консерваториясының Хабаршысы/Вестник Казахской Национальной Консерватории им. Курмангазы/The Bulletin of the Kazakh National Conservatory of the Name of Kurmangazy (ISSN 2310-3337), was launched by the Kazakh National Kurmangazy Conservatory in Almaty.
This quarterly is published in Kazakh, Russian, and English. Its goal is to present a broad spectrum of research in arts, musicology, and contemporary music education, as well as in social studies, humanities, culture, criticism, and journalism. The full text of the first issue is available here.
Below, Kyz Žibek by Evgenij Grigor’evič Brusilovskij, a Kazakh opera discussed in the inaugural issue.
International journal of interdisciplinary and multidisciplinary studies (ISSN 2348-0343) is an open-access, international, monthly, bilingual (English and Bengali), peer reviewed, indexed, online journal.
IJIMS publishes original research articles, review articles, short communications, and case studies. A team of reputed academics from different disciplines tackles the review work and publication process.
Launched in 2012, Evental aesthetics is an independent, interdisciplinary, peer-reviewed journal dedicated to philosophical perspectives on art and aesthetics.
Publishing three times each year, the journal invites experimental and traditional philosophical ideas on questions pertaining to every form of art, as well as to aesthetic issues in the non-artworld, such as everyday aesthetics and environmental aesthetics. Each installment of the journal reflects on specific, but broadly defined, aesthetic issues.
This publication is entirely independent and unaffiliated with any institution, and therefore is unimpeded by political or financial agendas. As a non-profit organization, Evental aesthetics operates completely without funding or advertising. The journal is open-access, available for download free of charge.
The first issue includes the music-related article “Hegel’s being-fluid in Corregidora, blues, and (post-) black aesthetics” by Mandy-Suzanne Wong; the full text is here.
Below, John Lee Hooker presents a fine example of blues philosophy.
Launched in 2011 by the Irish National Committee of the International Council for Traditional Music (ICTM Ireland), Ethnomusicology Ireland is a peer-reviewed online journal edited by Colin Quigley.
The journal aims to reflect the range of music played, studied, and researched in Ireland, providing a regional forum for scholars. While PDFs of the articles are open-access, enhanced versions with links to sound and video illustrations are only available to members of ICTM Ireland.
Related article: The Joe Heaney Archives
Launched in 2013 by the Norges Musikkhøgskole/Norwegian Academy of Music, Music + practice is a peer-reviewed online journal dedicated to the study of practices in music, featuring articles and presentations written by academics and practitioners. The journal also engages with artistic research and performance studies.
Launched in 2011 by the Haydn Society of North America and based at the Rochester Institute of Technology, Haydn (ISSN 2163-2723) is dedicated to the dissemination of all areas and methodologies of research and performance considerations regarding the music, culture, life, and times of Joseph Haydn and his circle.
Each semiannual issue will include large and small articles, reviews, reactions to previous articles, and other new and pertinent information. The journal’s Web-based format is intended to take full advantage of current and emerging electronic media.