Tag Archives: Reception

Delius’s taste

Today, on Delius’s 150th birthday, let’s eavesdrop on the reminiscences of his friend Percy Grainger. “Composer never had truer colleague than I had in Frederick Delius, and when he died I felt that my music had lost its best friend. … Continue reading

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Filed under Impressionism, Reception, Romantic era

Patti Smith and Rimbaud

Patti Smith’s direct assimilation of Arthur Rimbaud’s work into hers presents a case of cultural cross-fertilization in which the poetry of a foreign high-cultural figure enters into and influences a popular and countercultural discourse, illustrating how a nonacademic reading of … Continue reading

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Filed under Literature, Popular music, Reception

Schubert deltiography

Schubert deltiography, a database produced by The Schubert Institute as part of its Schubert ographies website, is an open-access online resource for postcards bearing images relevant to Schubert—portraits, buildings, and so on. In addition to reproductions of both sides of … Continue reading

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Filed under Iconography, Reception, Resources, Romantic era

Banknotes redux

SPIN: Study Platform on Interlocking Nationalisms, a free online resource dedicated to the study of the Romantic period in Western culture, includes a database devoted to iconography on banknotes, with a special section for composers. As of this writing 33 … Continue reading

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Filed under Iconography, Reception, Resources, Romantic era

Ragtime rants

A pair of brief unattributed articles appeared in the July 1901 issue of American musician to articulate opposing viewpoints on ragtime, which had become increasingly popular since the late 19th century. War on ragtime denounced the genre in no uncertain … Continue reading

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Filed under Black studies, Jazz and blues, Popular music, Reception

In Extremo and Walther

Recent interchanges between medieval music and heavy metal open new perspectives on historically informed practice. A comparison of recordings of Walther von der Vogelweide’s Palästinalied by Thomas Binkley, Paul Hillier, and In Extremo illuminates how historic orientation and its inherent … Continue reading

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Filed under Curiosities, Middle Ages, Performance practice, Popular music, Reception

Collectionner la musique / Collecting music

Launched in 2010 by the Fondation Royaumont following its acquisition of the library of the pianist François Lang (1908–1944), the Brepols series Collectionner la musique/Collecting music  is devoted to exploring the history of music collecting. The first volume, Collectionner la … Continue reading

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Filed under New series, Reception, Source studies

Lady Gaga’s social network

Lady Gaga went from nowhere to everywhere in just 18 months due to many factors—not least, to her unprecedented and canny use of social networking. Gaga used Internet tools to craft her personal mythology, and continues to use them to … Continue reading

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Filed under Mass media, Popular music, Reception

Carnatic Music Idol

The “Idol” television format has gone global, and since 2004 an Indian version has featured amateur singers of popular Indian film songs. Seeing this, the producer Subhashree Thanikachalam (left)—who had already pioneered three successful television series focused on Indian music—decided to … Continue reading

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Filed under Asia, Mass media, Reception

Performing Arts in America 1875–1923

Performing Arts in America 1875–1923, a website of The New York Public Library for the Performing Arts, captures a glimpse of the beginning of the modern age, when a combination of technological advances and societal freedoms led the way to … Continue reading

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Filed under 20th- and 21st-century music, Dance, Reception, Resources