Tag Archives: Popular music

Silvio Rodríguez and disappearance

On 31 March 31 1990, in the early days of the newly restored democracy in Chile, the Cuban cantautor Silvio Rodríguez staged a concert in Santiago de Chile’s Estadio Nacional for an audience of 80,000 people. Accompanying him were the … Continue reading

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Filed under Politics, Popular music, Reception

Patti Smith and Rimbaud

Patti Smith’s direct assimilation of Arthur Rimbaud’s work into hers presents a case of cultural cross-fertilization in which the poetry of a foreign high-cultural figure enters into and influences a popular and countercultural discourse, illustrating how a nonacademic reading of … Continue reading

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Filed under Literature, Popular music, Reception

Liberace’s taste

Władziu Valentino Liberace’s Las Vegas home represented the democratization of aristocracy, a do-it-yourself coronation, the people’s palace. It is the apotheosis of décor as persona and persona as décor. The Moroccan Room (above, click to enlarge) is a tile-and-glass atrium … Continue reading

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Filed under Architecture, Curiosities, Popular music

Bluegrass discography

Maintained since 1996 by Charley Pennell, a cataloguer at the D.H. Hill Library at North Carolina State University, Bluegrass discography lists bluegrass singles, LPs, tapes, CDs, and videos by label, performer, and album. Resources for obtaining these publications are also listed. Below, … Continue reading

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Filed under North America, Popular music, Resources, World music

Air guitar and gender

Like real rock guitar playing, air guitar—miming electric guitar playing without an instrument—is heavily informed by gendered practices in rock, where the electric guitar functions as a signifier of masculine power and implied sexual prowess, and performing on it involves … Continue reading

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Filed under Instruments, Popular music, Women's studies

Ragtime rants

A pair of brief unattributed articles appeared in the July 1901 issue of American musician to articulate opposing viewpoints on ragtime, which had become increasingly popular since the late 19th century. War on ragtime denounced the genre in no uncertain … Continue reading

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Filed under Black studies, Jazz and blues, Popular music, Reception

Jimmie Rodgers and semiotics

Jimmie Rodgers’s recordings present nearly all of the yodel types used by hillbilly singers, including nonsense-syllable strands, breaking voice registers while singing words, and brief falsetto grace-note descents into his natural voice. His yodels contain influences from both African American (falsetto … Continue reading

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Filed under Performance practice, Popular music

The American wind band

In 2010 Scarecrow Press launched the series The American wind band with A history of the trombone by David M. Guion; the book is a comprehensive account of the development of the instrument from its initial form as a 14th-century … Continue reading

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Filed under Instruments, New series, Popular music

In Extremo and Walther

Recent interchanges between medieval music and heavy metal open new perspectives on historically informed practice. A comparison of recordings of Walther von der Vogelweide’s Palästinalied by Thomas Binkley, Paul Hillier, and In Extremo illuminates how historic orientation and its inherent … Continue reading

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Filed under Curiosities, Middle Ages, Performance practice, Popular music, Reception

Mahler and Beyoncé

What could a late–19th-century Viennese symphonic genius and an early–21st-century African American pop star have in common? A blood line, according to recent research that has led to the conclusion that Beyoncé Knowles is Gustav Mahler’s eighth cousin, four times … Continue reading

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Filed under featured, Popular music, Romantic era