Launched in 2011 by the Haydn Society of North America and based at the Rochester Institute of Technology, Haydn (ISSN 2163-2723) is dedicated to the dissemination of all areas and methodologies of research and performance considerations regarding the music, culture, life, and times of Joseph Haydn and his circle.
Each semiannual issue will include large and small articles, reviews, reactions to previous articles, and other new and pertinent information. The journal’s Web-based format is intended to take full advantage of current and emerging electronic media.
Dansk musikforskning/Danish musicology online (EISSN 1904-237X), an open-access peer-reviewed journal, was launched in 2010 as a platform for Danish musicologists.
Demonstrating the breadth of its scope, the journal’s first issue presented articles on the music of Carl Nielsen, hip hop culture, and original Broadway cast albums. The journal is edited by Mads Krogh, Martin Knakkergaard, and Søren Møller Sørensen.
Recent shifts in global film cultures and how we understand them inspired Intellect Books to launch the journal Transnational cinemas (ISSN 2040-3534) in 2010.
Dynamic new industrial and textual practices are being established throughout the world, and the academic community is responding. Transnational cinemas aims to break down traditional geographical divisions and welcomes submissions that reflect the changing nature of global filmmaking.
The Forschungsinstitut für Musiktheater in Thurnau launched the peer-reviewed, open-access electronic journal Act: Zeitschrift für Musik & Performance (ISSN 2191-253X) in 2010. This international interdisciplinary publication provides a platform for essays, reviews, and columns at the intersections of musicology, theater studies, dance studies, and media studies. Act places particular value on methodological plurality and on supporting young academics.
Appearing twice a year, each issue will comprise two to five essays and an editorial, along with a review section (in the form of review essays) and a section for columns and announcements. The inaugural issue was edited by Anno Mungen and Knut Holtsträter.
Научный вестник Московской Консерватории (Scholarly bulletin of the Moscow Conservatory, ISSN 2079-9438) was launched in December 2009 by the Научно-издательский центр Московская консерватория (Scholarly publishing center of the Moscow Conservatory).
This quarterly periodical with an editorial board under the direction of the musicologist and professor of the Moscow Conservatory Konstantin Vladimirovič Zenkin aims for in-depth coverage of research carried out at the Московская консерватория имени П.И. Чайковского (Moscow Conservatory named for P.I. Čajkovskij). It publishes scholarly articles, methodological materials, and book reviews; author submissions are selected by the editorial board. Научный вестник is published in Russian with abstracts in both Russian and English.
Launched by Edinburgh University Press in March 2011, The new soundtrack (ISSN 2042-8855; EISSN 2042-8863) presents cutting-edge academic and professional perspectives on the complex relationship between sound and moving images. The journal also encourages writing on more current developments, such as sound installations, computer-based delivery, and the psychology of the interaction of image and sound.
Alongside academic contributions, The new soundtrack includes contributions from practitioners in the field—composers, sound designers, and directors—giving voice to the development of professional practices. Each issue also features a short compilation of book and film reviews.
In 2010 Universitatea Națională de Muzică București published the inaugural issue of Musicology today: Journal of the National University of Music Bucharest (ISSN 2067-5364). The issue presented articles about composers with significant anniversaries in 2009: Haydn (d.1809), Mendelssohn-Bartholdy (b.1809), and Paul Constantinescu (b.1909).
Subsequent themes have included composers with significant 2010 anniversaries; reception; relationships between composition, performance, and pedagogy; fusions; and women in music. The journal’s Editor-in-chief is Valentina Sandu Dediu.
Launched by Intellect in 2010, Journal of European popular culture (ISSN 2040-6134; EISSN 20406142) investigates the present and past creative cultures of Europe. Exploring European popular imagery, media, new media, film, music, art and design, architecture, drama and dance, fine art, literature and the writing arts, and more, this peer-reviewed journal is also of interest to those considering the influence of European creativity worldwide. It is edited by Graeme Harper, Owen Evans, and Cristina Johnston.
In 2010 Ústav Hudobnej Vedy of the Slovenská Akadémia Vied revived the scholarly periodical Musicologica Slovaca: Časopis Ústavu Hudobnej Vedy Slovenskej Akadémie Vied (ISSN 1338-2594), thereby providing a standard platform for publishing the most recent results of domestic music scholarship in a peer-reviewed, biannual journal. In 1992 its predecessor, the irregularly issued Musicologica slovaca et europaea, replaced the original Musicologica slovaca, which started in 1969. The renewed Musicologica Slovaca, starting as volume 1(27), maintains the continuity of the previous volumes.
The journal’s broad orientation, with topics including music history, ethnomusicology, and systematic musicology, reflects traditions of interdisciplinary communication among specialized disciplines of music scholarship in Slovakia. Musicologica Slovaca is edited by the ethnomusicologist Hana Urbancová, the Director of the Ústav Hudobnej Vedy SAV. It is published in Slovak with English abstracts and keywords.
Founded by Intellect in 2010, Choreographic practices (ISSN 2040-5669; EISSN 2040-5677) seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. The journal is edited by Vida L. Midgelow and Jane M. Bacon.
Encompassing a wide range of methodologies and critical perspectives so that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond—e.g., cultural studies, psychology, phenomenology, geography, philosophy, and economics—Choreographic practices aims to illuminate an emerging and vibrant research area by opening up the nature and scope of dance practice as research and drawing together diverse bodies of knowledge and ways of knowing.